Who are we?
“This is the song that will stay…The one that echoed through the empty space”
To describe the music of No Pan Kissa, one would have to draw on both an encyclopedia of eighties sounds and a dico of alternative rock from the nineties era. We would borrow adjectives like uplifting, frenzied, emotional, epic.
You will find different tracks of the band on our SoundCloud
Our New video clip!
Compositions
Group member
Next concerts
CONDROZ | Taverne aux portes du Condroz
Venez écouter No Pan Kissa pendant un concert festif et gratuit au sein d’un café-concert accueillant. La taverne se situé à Neuville-Village au-dessus de la route dite “des 36 tournants” et à moins d’1 km de la route du Condroz… Venez nombreux. Début du concert à 20h30. Nombreuses possibilités de parking à proximité.
OUFFET | Tour de Justice
Dans le cadre des manifestations culturelles des “vendredis de la Tour” à Ouffet, NPK sera en concert dans un cadre exceptionnel…Une magnifique Tour médiévale du 16ème, à l’histoire sulfureuse. Nous vous attendons dès 21h30 pour plus de deux heures d’ambiance rock n’roll ! Concert gratuit.
NEUPRE | Taverne Aux Portes du Condroz
Venez écouter No Pan Kissa pendant un concert festif et gratuit au sein d’un café-concert accueillant…Aux portes du Condroz La taverne se situe à Neuville-Village, près de la route dite “des 36 tournants” et à moins d’1 km de la route du Condroz… Venez nombreux. Début du concert à 20h00. Nombreuses possibilités de parking à […]
Past Events
No Pan Kissa History
This tribe from Huy has already been taking their eclectic musical background around Wallonia for more than seventy concerts. In a dozen original compositions, the No Pan Kissas, coming from funk, pop and rock, have explored as many musical directions as concert venues, sometimes out of the ordinary.
Time doesn’t seem to have any hold on these crazy troubadours. Even if since the beginning of the adventure, musicians have come, others left, “The orchestra” has stabilized around four members : Domi, lyricist and singer occasionally handling the acoustic guitar; Pierre, the bassist who reinforces the choirs; Angelo, renowned for his forceful hitting on drums that is as good as a John Bonham; and Max, follower of the “six strings” who is always in perpetual search for new sounds and new horizons. The charm of No Pan Kissa? It is these cascades of notes, these twirling melodies, these acrobatic perceptions and these texts, sort of humanist fables, which put together take you on a bewitching adventure, a subtle and generous cocktail of musicality.
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